12/17/2023 0 Comments Eventide blackhole plugin![]() Testbericht: CHERRY AUDIO STARDUST 201 TAPE ECHO – Hallo Spaceboy Testbericht: UJAM FINISHER DYNAMO – Klangschrittmacher Testbericht: CHERRY AUDIO QUADRA – Vier gewinnt Testbericht: ARTURIA PIGMENTS 3.5 – Klangmalkasten Testbericht: FRACTIONATE von HOMEGROWN SOUNDS Testbericht: MIDI MOD von HOMEGROWN SOUNDS Testbericht: ARTURIA EFX FRAGMENTS – Der QuantenmechanikerĪRTURIA SQ80 V im Vergleich mit einem originalen ENSONIQ ESQ-1.Testbericht ESI Audio cosMik uCast Mikrofon für Podcasts und mehr Testbericht: CHERRY AUDIO RACKMODE SIGNAL PROCESSORS – Die Rackjobber Testbericht: CHERRY AUDIO DREAMSYNTH DS-1 – Der Traumfänger Testbericht: CHERRY AUDIO MINIVERSE – Mini-Me Too Testbericht: ARTURIA V COLLECTION 9 – Eine Kiste Maibock Testbericht: CHERRY AUDIO LOWDOWN – Tiefstapler In any case, the ribbon brings a lot of variety and variation and is useful for many creative applications. This means that sliders can also move in opposite directions afterwards and, for example, Gravity can be reduced while Feeedback is turned up. It depends on which of the buttons is active when you turn the knob clockwise or counterclockwise. The programming of this macro controller is simple, while the programming mode to the right or left of the ribbon is activated with small buttons, each movement of the knobs raises an area in which the values move when the ribbon is passed through. The Ribbon Controller allows you to completely change a preset in live mode, or even subtly, as would otherwise only be possible by automating the parameters in a DAW. Freeze can also be triggered directly via the Freeze button at the top right. Freeze goes even further and freezes the current reverb tail, loops it and adds no new input. Infinite layers more and more feedbacks on top of each other, which then overlap and continue endlessly. But feedback can do even more, beyond the 100 the Infinite and Freeze modes are still waiting. ![]() Feedback feeds the output proportionally back into the input of the effect in a classic way, and can thus inflate the room additionally or create a delay effect with long predelay values. Predelay is followed by a high and low pass filter, the resonance control below controls the filter resonance.ĭepth and Rate in the lower row bring movement to the reverb tail with a pitch modulation effect. and causes, depending on the other knobs, a classic extension of the reverb space with the applied delay time until the reverb tail starts or with negative values of Decay and Size and high feedback also a resonant delay effect. The next knob Predelay is given in its values with Sync Off with milliseconds or with active Sync in note values, 8ths, 4ths etc. When turned wide up, Size is responsible for the very long reverb times that are possible with this reverb effect. This is an interesting effect that, in conjunction with the next knob, the Size, when it is turned to exotic minus values – which goes from zero to -10 – can produce metallic colors together with the feedback knob. make it louder instead of quieter, until it abruptly stops. As a special feature, it has negative values from 12 o’clock counterclockwise, which invert the decay, i.e. The Gravity control determines the decay time, i.e. The parameters from left to right are first the input volume via the slider, next to it the Mix slider, which determines the mixing ratio between dry and effected signal, which is important for reverb. This ribbon is a macro controller, which can be used to control more then controller of Blackhole simultaneously. The Ribbon-Controller at the bottom is conspicuous with the restrained animated electric arc discharge as position indicator. The preset browser is also flanged to the side and unfortunately still not a matter of course under iOS. The interface is almost identical to the PC version, only the arrangement of the additional control buttons has been moved to the side from below. Blackhole moves here in the middle field and can still be described as easy to use with a high flexibility of the effect, which can range from relatively realistic small simulated rooms to oversized halls and resonant delay effects.Īs you would expect from iOS today, Blackhole is available as an AUV3 effect plugin in addition to Standalone and InterApp Audio and can be integrated into mixers like Audiobus and AUM or DAWs like Cubasis. The operation and parameter variety of a reverb effect can range from very simple to very complex. Therefore, its parameters are freely adjustable to values that are not possible with natural reverberation spaces. Blackhole is an algorithmic reverb that calculates the reverb effect at runtime and is not based on a sampled convolution reverb.
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